READING 3 ︎︎︎ Marcel Proust, Selection 3 from À la recherche du temps perdu

Prof. Olivia Theyskens, born April 15, 1976, is a fictitious American literary critic and Sterling Dean of Literature at the fictitious Cargo University.
        She has published innumerable fictitious reviews and articles, as well authored two fictitious volumes of short stories. She is perhaps best known for the fictitious story The Tin Ribbon. This will be her third fictitious workshop for The Writer’s Retreat.

I would go on with it in the garden, under the chestnut-tree, in a little sentry-box of canvas and matting, in the farthest recesses of which I used to sit and feel that I was hidden from the eyes of anyone who might be coming to call upon the family.
            And then my thoughts, did not they form a similar sort of hiding-hole, in the depths of which I felt that I could bury myself and remain invisible even when I was looking at what went on outside? When I saw any external object, my consciousness that I was seeing it would remain between me and it, enclosing it in a slender, incorporeal outline which prevented me from ever coming directly in contact with the material form; for it would volatilize itself in some way before I could touch it, just as an incandescent body which is moved towards something wet never actually touches moisture, since it is always preceded, itself, by a zone of evaporation. Upon the sort of screen, patterned with different states and impressions, which my consciousness would quietly unfold while I was reading, and which ranged from the most deeply hidden aspirations of my heart to the wholly external view of the horizon spread out before my eyes at the foot of the garden, what was from the first the most permanent and the most intimate part of me, the lever whose incessant movements controlled all the rest, was my belief in the philosophic richness and beauty of the book I was reading, and my desire to appropriate these to myself, whatever the book might be. For even if I had purchased it at Combray, having seen it outside Borange's, whose grocery lay too far from our house for Françoise to be able to deal there, as she did with Camus, but who enjoyed better custom as a stationer and bookseller; even if I had seen it, tied with string to keep it in its place in the mosaic of monthly parts and pamphlets which adorned either side of his doorway, a doorway more mysterious, more teeming with suggestion than that of a cathedral, I should have noticed and bought it there simply because I had recognized it as a book which had been well spoken of, in my hearing, by the school-master or the school-friend who, at that particular time, seemed to me to be entrusted with the secret of Truth and Beauty, things half-felt by me, half-incomprehensible, the full understanding of which was the vague but permanent object of my thoughts.
            Next to this central belief, which, while I was reading, would be constantly a motion from my inner self to the outer world, towards the discovery of Truth, came the emotions aroused in me by the action in which I would be taking part, for these afternoons were crammed with more dramatic and sensational events than occur, often, in a whole lifetime. These were the events which took place in the book I was reading. It is true that the people concerned in them were not what Françoise would have called 'real people.' But none of the feelings which the joys or misfortunes of a 'real' person awaken in us can be awakened except through a mental picture of those joys or misfortunes; and the ingenuity of the first novelist lay in his understanding that, as the picture was the one essential element in the complicated structure of our emotions, so that simplification of it which consisted in the suppression, pure and simple, of 'real' people would be a decided improvement. A 'real' person, profoundly as we may sympathize with him, is in a great measure perceptible only through our senses, that is to say, he remains opaque, offers a dead weight which our sensibilities have not the strength to lift. If some misfortune comes to him, it is only in one small section of the complete idea we have of him that we are capable of feeling any emotion; indeed it is only in one small section of the complete idea he has of himself that he is capable of feeling any emotion either. The novelist's happy discovery was to think of substituting for those opaque sections, impenetrable by the human spirit, their equivalent in immaterial sections, things, that is, which the spirit can assimilate to itself. After which it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, while we turn over, feverishly, the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those which come to us in sleep; why, then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which, only, we should have to spend years of our actual life in getting to know, and the keenest, the most intense of which would never have been revealed to us because the slow course of their development stops our perception of them. It is the same in life; the heart changes, and that is our worst misfortune; but we learn of it only from reading or by imagination; for in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.
            Next to, but distinctly less intimate a part of myself than this human element, would come the view, more or less projected before my eyes, of the country in which the action of the story was taking place, which made a far stronger impression on my mind than the other, the actual landscape which would meet my eyes when I raised them from my book.

In this way, for two consecutive summers I used to sit in the heat of our Combray garden, sick with a longing inspired by the book I was then reading for a land of mountains and rivers, where I could see an endless vista of sawmills, where beneath the limpid currents fragments of wood lay mouldering in beds of watercress; and nearby, rambling and clustering along low walls, purple flowers and red. And since there was always lurking in my mind the dream of a woman who would enrich me with her love, that dream in those two summers used to be quickened with the freshness and coolness of running water; and whoever she might be, the woman whose image I called to mind, purple flowers and red would at once spring up on either side of her like complementary colors.
            This was not only because an image of which we dream remains for ever distinguished, is adorned and enriched by the association of colors not its own which may happen to surround it in our mental picture; for the scenes in the books I read were to me not merely scenery more vividly portrayed by my imagination than any which Combray could spread before my eyes but otherwise of the same kind. Because of the selection that the author had made of them, because of the spirit of faith in which my mind would exceed and anticipate his printed word, as it might be interpreting a revelation, these scenes used to give me the impression—one which I hardly ever derived from any place in which I might happen to be, and never from our garden, that undistinguished product of the strictly conventional fantasy of the gardener whom my grandmother so despised—of their being actually part of Nature herself, and worthy to be studied and explored.
            Had my parents allowed me, when I read a book, to pay a visit to the country it described, I should have felt that I was making an enormous advance towards the ultimate conquest of truth. For even if we have the sensation of being always enveloped in, surrounded by our own soul, still it does not seem a fixed and immovable prison; rather do we seem to be borne away with it, and perpetually struggling to pass beyond it, to break out into the world, with a perpetual discouragement as we hear endlessly, all around us, that unvarying sound which is no echo from without, but the resonance of a vibration from within. We try to discover in things, endeared to us on that account, the spiritual glamour which we ourselves have cast upon them; we are disillusioned, and learn that they are in themselves barren and devoid of the charm which they owed, in our minds, to the association of certain ideas; sometimes we mobilize all our spiritual forces in a glittering array so as to influence and subjugate other human beings who, as we very well know, are situated outside ourselves, where we can never reach them. And so, if I always imagined the woman I loved as in a setting of whatever places I most longed, at the time, to visit; if in my secret longings it was she who attracted me to them, who opened to me the gate of an unknown world, that was not by the mere hazard of a simple association of thoughts; no, it was because my dreams of travel and of love were only moments—which I isolate artificially to-day as though I were cutting sections, at different heights, in a jet of water, rainbow-flashing but seemingly without flow or motion—were only drops in a single, undeviating, irresistible outrush of all the forces of my life.
            And then, as I continue to trace the outward course of these impressions from their close-packed intimate source in my consciousness, and before I come to the horizon of reality which envelops them, I discover pleasures of another kind, those of being comfortably seated, of tasting the good scent on the air, of not being disturbed by any visitor; and, when an hour chimed from the steeple of Saint-Hilaire, of watching what was already spent of the afternoon fall drop by drop until I heard the last stroke which enabled me to add up the total sum, after which the silence that followed seemed to herald the beginning, in the blue sky above me, of that long part of the day still allowed me for reading, until the good dinner which Françoise was even now preparing should come to strengthen and refresh me after the strenuous pursuit of its hero through the pages of my book. And, as each hour struck, it would seem to me that a few seconds only had passed since the hour before; the latest would inscribe itself, close to its predecessor, on the sky's surface, and I would be unable to believe that sixty minutes could be squeezed into the tiny arc of blue which was comprised between their two golden figures. Sometimes it would even happen that this precocious hour would sound two strokes more than the last; there must then have been an hour which I had not heard strike; something which had taken place had not taken place for me; the fascination of my book, a magic as potent as the deepest slumber, had stopped my enchanted ears and had obliterated the sound of that golden bell from the azure surface of the enveloping silence. Sweet Sunday afternoons beneath the chestnut-tree in our Combray garden, from which I was careful to eliminate every commonplace incident of my actual life, replacing them by a career of strange adventures and ambitions in a land watered by living streams, you still recall those adventures and ambitions to my mind when I think of you, and you embody and preserve them by virtue of having little by little drawn round and enclosed them (while I went on with my book and the heat of the day declined) in the gradual crystallization, slowly altering in form and dappled with a pattern of chestnut-leaves, of your silent, sonorous, fragrant, limpid hours.